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Dionysus is the god not only of grape harvests, wine and theatre, but also of revelry, excess and madness. He embodies a paradox – the power that grounds civilisation, and the chaos that threatens to consume it.
For more than 20 years, Anne-Lise Broyer has been working on a photographic project that closely intertwines literature and photography. This summer, she is presenting her exhibition, ‘Méditerranée. Est-ce là que l’on habitait ?’ at the Rencontres d’Arles.
In 1914, war broke out. Life had to be organised underground, and the Champagne cellars became a refuge for the population.
Taittinger is one of seven great historical houses still to own crayères or chalk quarries in the Saint-Nicaise hill in Reims, today listed as a UNESCO World Heritage Site. A heritage all the more treasured as it plays an essential role in the quality of its champagnes.
How does a Taittinger campaign come about? Jeremy Malabre, Head of Creative Design, reveals the driving forces behind a visual style conceived to be a constant invitation to escape and daydream.
Few popular objects are capable of evoking as much nostalgia as the pinball machine while continuing to captivate new generations.
In her Heritage series, photographer Marjolijn de Groot turns items of everyday consumer waste into disturbing visual presences. Staged against backdrops of earth, sky and sea, her work explores the lasting impact our lifestyles leave on natural landscapes
To mark the release of Comtes de Champagne Rosé 2013, Dan Roznov shares his personal reflection on this champagne, an ideal companion for long summer evenings.
In 2024, FIFA and Champagne Taittinger renewed a partnership that has been ongoing for 13 years.
The book ‘Le Nez du Vin’ enables wine tasters to understand wine through their sense of smell and has enjoyed worldwide success for over 40 years.
